Andrea Bonaceto (born 13 May 1989 in Pisa, Italy) is an Italian digital artist. Bonaceto’s artistic philosophy extends far beyond the boundaries of the traditional canvas, creating an immersive, interactive narrative that invites viewers to engage on a deeper, more reflective level. As a result, his work primarily involves metaphysical explorations that challenge audiences to rethink the nature of existence and the interplay between culture and technology. Such an approach to art transforms the spectator’s role from a passive observer to an active participant, distinguishing Bonaceto’s artistic signature.

Central to this approach is his innovative work with Artificial Intelligence (AI) as a creative medium. In 2021 Bonaceto collaborated artistically with humanoid AI robot Sophia. Bonaceto’s artwork AB Infinite 1, used cutting-edge AI to evolve through public input, transforming social-media interactions into continuous visual and poetic updates. The piece was auctioned at Christie’s 20th/21st Century London Evening Sale on October 13, 2022, as the only digital work in the lot.

His artwork titled Tempus Fugit was offered in a standalone auction at Phillips on 1-5 June, 2023. This piece continued his exploration of time, existence, and the transient nature of human experience, further establishing his influence in contemporary art. In October 2024, he publicly ventured into physical art with the sale of People at Christie’s Post-War and Contemporary Art Online Sale. This event marked the debut of his physical artworks and set the stage for the unveiling of the Fragments‘ series, bringing his early physical creations to a global audience.

In November 2025, Bonaceto unveiled Untitled, an AI-driven art project centered on human introspection and collective experience. First presented in Hong Kong at the Hong Kong Design Centre, Untitled combines an immersive one-to-one experience with the creation of cinematic AI-generated artworks derived from participants’ reflections. The project positions AI as a tool for revealing human vulnerability and shared truths, extending Bonaceto’s long-standing interest in participation, authorship, and the emotional dimensions of technology. Following its debut, Untitled entered an international phase, bringing this living, participatory artwork to institutions and public spaces worldwide.

Bonaceto’s work has been exhibited internationally at prestigious venues and institutions such as Museo della Permanente in Milan, CAFA Art Museum in Beijing, Musée des Arts Décoratifs in Paris, W1 Curates in London, Times Square in New York, and Palazzo Giustinian Lolin in Venice, among others. These exhibitions have showcased his ability to engage diverse audiences and have positioned him as a significant voice in the dialogue between art and technology. He has received several accolades recognizing his contributions to art and innovation, including Forbes 30 Under 30 Italy, the Talented Young Italians Award, and Fortune 40 Under 40 Italy.